Two is Company, Six is Ensemble Writing

Last week I talked a little about how important it is to interview your characters from various perspectives. It helps to keep the book consistent, while aiding the author in understanding their hero or villain, so they can better represent motive, personality and responses. Along the same theme as interviewing your characters, it is important to be able to differentiate between them too – and that’s where ensemble writing comes in.

Ensemble writing is difficult. No doubt you’ve picked up a book with seemingly a dozen characters that look and act the same way. Often you’ll find issues in genre fiction, when all the heroes or heroines come from a distinct background, military for example, and they blend into each other, becoming one, vaguely rounded character, instead of six individual people.

That’s why, when writing a large cast, you have to know your characters really well. More importantly than that…

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Author: Grandtrines

Like so many people, I am a paradox. I am a politically conservative vegetarian. I am from a Christian background, and still tend to like those values, but am a metaphysical astrologer trained in science who has an interest in the magic of ancient Egypt and a weird belief that some piece of our essence can live on a server. I live in Texas, but like chatting with my international Wordpress pals the best. I learn by teaching. Technically, I am a "Leo," but I am very, very Aquarian with a dose of Scorpio. I bitterly complain about Algol (and Algol personaliites), yet it is the one star that defines me most (other than Regulus). (Which, oddly, makes me an Algol personality.) I am a reclusive lover of peace and quiet who has the Ascendant in the Via Combusta (the most conflict ridden part of the zodiac). I am an incredibly private person with a blog with over 800 followers and 50 to 150 regular daily visitors. I could go on, but I think you get the picture.

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